Raymond Barion, Becky Beasley,
Camille Blatrix, Patricia L Boyd,
Sarah Browne, Erik Bünger,
Lauren Burrow, Alex Impey,
Ana Maria Gomez Lopez, Victor Man,
Nicholas Mangan, Jacqueline Mesmaeker,
Simon Dybbroe Møller, Ana Prvački,
Mladen Stilinović, James Williamson and Ran Zhang
22.11.19—22.02.20
Plan B, Berlin
Exhibition views
1 / 16
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Raymond Barion,
Projector, 1983,
Acrylic on canvas,
260 x 160 cm
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Camille Blatrix,
Untitled, 2017,
Plastic, paint, stainless steel, silver, plexiglass, anodic silkscreen on aluminum,
5 x 42 x 27 cm;
Becky Beasley,
Trap II, 2010,
gelatin silver print,
32 x 24 cm
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James Williamson,
The Big Swallow, 1901,
35 mm film (black and white, silent), 1’8’’;
Jacqueline Mesmaeker,
L’Androgyne, 1986 – 2013,
1. Avion en phase d’approche, mixed media, 161 x 35 cm and 210 x 50 cm;
2. Navire en détresse, mixed media, 51 x 77.5 cm and 157 x 44 cm
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Victor Man,
The Chandler, 2013,
oil on canvas,
46 x 29.8 cm;
Ran Zhang,
Natritine Gaze 1, 2014 – 15,
synthetic and organic materials-100-times magnified, inkjet print, 4 color silkscreen prints, acrylic, watercolor, pigment and ink on paper,
120 x 56 cm (each part)
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Nicholas Mangan,
Termite Economies Phase 3 (Neural Nest), 2019,
3d printed Polymethyl methacrylate, and acrylic paint;
Lauren Burrow,
Nuisance flows, 2019,
(Floor drawing, dimensions variable) Tempered glass, eucalyptus resin.
(Framed work, 40.6 x 50.8 cm) Laser print on paper, bioglitter made from eucalyptus derivative, car wrap technology, artist frame
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Ana Prvački,
Hand Pollination Glove, 2018,
video, 1’11”;
Hand Pollination Glove, 2018,
glove, 37 x 10 x 5 cm;
Syncope Whistle, 2019,
video, 1’7”;
Syncope Whistle, 2019,
polished bronze,
7.5 x 9 x 5 cm,
Edition of 8;
Louise&Penelope, 2018,
video, 31”;
Ana Prvački in collaboration with Divna Prvački Durant,
Louise&Penelope, 2019,
pencil on paper,
29.5 x 39 cm
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Patricia L. Boyd,
Formation X, 2019,
Used restaurant grease, wax, damar resin,
32.5 x 14.5 x 4.3 cm;
Absorption, Elimination III, 2019,
Used restaurant grease, wax, damar resin,
30.5 x 27.2 x 8.3 cm;
Absorption, Elimination II, 2019,
Used restaurant grease, wax, damar resin,
22.3 x 27.2 x 8.3 cm
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Simon Dybbroe Møller,
Cormorous, 2016,
HD video, 9’22’’
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Simon Dybbroe Møller,
Maison de Regret, 2018,
windows, wood, leaves, banknotes, wrappers,
164 x 184 x 11 cm
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Alex Impey,
Exta, 2019,
nickel on electro-formed copper, steel,
dimensions variable
